1718--93 Swedish painter and pastellist, active in Germany and France. He trained with Lars Ehrenbill (1697-1747), a draughtsman employed by the Admiralty in Malmö, and in Stockholm under Georg Engelhardt Schräder (1684-1750), a portrait painter working in the tradition of Hyacinthe Rigaud and Nicolas de Largillierre. In 1741 Roslin moved to Göteborg, but the following year he returned to Malmö, where he executed devotional works for the parish church of Hasslöv, Halland, and began establishing himself as a portrait painter.   Related Paintings of Alexander Roslin :. | Portrait of Count Georg Adam von Starhemberg | The Baroness de Neubourg-Cromiere | Countess Mniszech, | venetianska | Portrait of John Jennings Esq., his Brother and Sister-in-Law |
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Jehan Georges Vibert
Jehan Georges Vibert (30 September 1840 - 28 July 1902) was a French academic painter. He was born in Paris. He began his artistic training at a young age under the instruction of his maternal grandfather, engraver Jean-Pierre-Marie Jazet. Vibert was more interested in painting than engraving and entered the studio of Felix-Joseph Barrias and eventually the École des Beaux-Arts when he was sixteen. He remained at the École for six years under the instruction of historic painter François-Edouard Picot. Vibert debuted at the Salon of 1863 with La Sieste (The Siesta) and Repentir (Repentance). During the Franco-Prussian War, Vibert became a sharpshooter and was wounded at the battle of Malmaison in October 1870. He was awarded the Legion deHonneur and became a Chevalier de la Legion deHonneur in recognition of his sacrifice. He became an Officer of the Legion deHonneur in 1882.
Lorenzo Lippi
1606-65 Italian painter and poet. He was trained by Matteo Rosselli, with whom he worked for many years in close partnership. His collaboration was sometimes anonymous but is documented from 1622, when they decorated the ceiling of the Sala della Stufa (Florence, Pitti), to 1631-2, when they worked together on lunettes portraying St Francis Adoring the Child and St Catherine in Prison (Florence, S Gaetano). In 1630 Lippi was enrolled in the Accademia del Disegno but appears not to have had his own workshop until after 1634, although he worked independently before then. The earliest paintings attributable to him are, both in facial types and in the soft, rich folds of the drapery, close in style to the work of Rosselli. Examples include canvases of the Apostles James, John and Matthew, and Christ Blessing (all 1628; Vaglia, S Pietro), and the Virgin Handing the Child to St Francis (1629; Florence, S Salvatore di Camaldoli). In the 1630s Lippi painted decorative and theatrical compositions, mainly on literary and biblical themes, which remained indebted to Rosselli, for example Samson and Delilah (1632; Stockholm, Nmus.) and the Virgin in Glory with Saints (1634; Ronta, nr Barberino di Mugello, S Michele). Shortly afterwards he produced works
Tiberio Tinelli
Italian Baroque Era Painter, 1586-1638 was an Italian painter of the early-Baroque period, active mainly in his native city of Venice. He trained with Giovanni Contarini, a pupil of the late Titian. Tinelli then either worked under or emulated Leandro Bassano. He was well known for his portraits of aristocracy, merchants, and intellectuals in Venice, whom he often painted in historical dress. His small pictures of historical and mythological subjects were also popular. Some of his pictures found their way into the collection of Louis XIII, king of France, who knighted him with the order of Michael. He moved later in life in Florence.